The latest in a string of overly-ambitious ideas, and how it got to be the size it is:
I was thinking about some kind of zine thing that would be a format for my short stories. Because of the zine format, this would also allow for commentary about other things: Music reviews and political rantings and such.
But then I thought "fuck zines" as it's too narrow. People will get sick of my voice rather quickly.
So then it grew into a literary magazine, a collection of short stories, with all the other content, the reviews and stuff, being there to serve two purposes. To show the mindstate of the people creating the art (As I wrote this I was listening to RZA and the Silver Apples, or something) and to be the voice of the magazine. Kind of like the McSweeney's online content implemented more into the print-version text. That voice would be what people could respond to, and would be the common ground for the disparate forms of fiction that made up the real content. It would also be a better music magazine than others around- most are horrible.
Then I was thinking about how most comics suck ass, made for boring old people. A few brits look back at the early nineties fondly... There were things like Deadline that were cool, bringing together music reviews and comics largely made by people who were really fucking cool... Jamie Hewlett, most notably, but I also think that Phillip Bond and Brendan McCarthy were a part of the same group of kick-ass art school kids. So then that got worked into the equation as well, with the comics being treated like short stories. Not particularly arty or literary comics, although a bit of that too, for depth. (Mainly because who's young and kick-ass? I have no idea.)
I'm thinking print it all up on cheap newsprint. A magazine, straight-up, with ads and stuff. Disposable. Well-designed graphically but not in terms of format and not to hamper with the ads. Actually I'm not sure how I feel about the idea of ads... Ads are anathema to looking good but key to keeping the cost down and again, I like the idea of disposability which ads help. Although ads also fuck with the credibility of the reviews and shit that would be the voice, which is something can't really be fucked with. I don't know. Awesome drawings and photography on the front cover, but hopefully that wouldn't be the extent of the design.
I don't know. I don't really have the money, the resources, or the connections to talented people to actually do any of this.
Still. Alex once typed "experimental music needs to be shaken the fuck up. Like now," and I was with him and it's a statement that applies to more than just experimental music. Most things need to be shaken up because I am getting bored. Who is on some next-level shit? As far as I'm concerned, no one.